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Kamilo, along with other Hawaiian beaches less travelled by tourists, is one of few places that this swirling vortex of ocean currents dumps its decades-old collection of debris.Дebris created by you and me. To truly comprehend the catastrophic scope of the Great Pacific garbage patch, imagine an area triple the size of France composed of approximately 80,000 metric tons of plastic.

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Plagued by the Great Pacific garbage patch вЂ“ a vast area of floating rubbish in the Pacific Ocean вЂ“ KamiloвЂ™s sandy shoreline accumulates enormous swaths of garbage each day, mostly discarded plastic.

Kamilo Beach, commonly known as вЂњtrash beachвЂќ or вЂњplastic beach,вЂќ is among the most polluted beaches on Earth.

And yet throughout my residency I was intimately aware that on this same island, a mere stoneвЂ™s throw from the protected land of the national park, sat a place in stark contrast with what I was witnessing. Listen to a sample of Sam NesterвЂ™s composition:ДЄll this raw beauty and natural power, along with the artistic opportunity to explore it, exists under the stewardship of the National Parks Service, which protects it for anyone wishing to venture that far out into the Pacific Ocean. In the few solitary weeks I spent in quiet contemplation, marveling at the spectacular landscape laid out before me, I was surprised to learn that more than 750 local earthquakes were reshaping the ground beneath my feet.

The recording of this score is designed as a way of experiencing, in sound, the activity that is changing the shape, position and size of HawaiК»i, and indeed the very face of the Earth. Using seismic data from the United States Geological Survey, I catalogued all earthquakes that occurred beneath the park and devised a system to convert parameters such as magnitude, depth and time of quake to musical parameters for the creation of a new score. Photo: Sam NesterДuring my visit I researched the formation of the Hawaiian archipelago and its current rate of change due to volcanic activity and the movement of tectonic plates. In the evenings, I would return home to the scent of frangipani and the charcoal of distant firepits, mixing on the trade winds that are responsible for HawaiК»iвЂ™s idyllic climate. There were turtles sunning themselves on black sand beaches, waterfalls, and countless hikes in secluded wilderness teeming with some of the rarest plants and animals in the world. I visited the fishermen at Ka Lae, who cast lines from 50-foot cliffs as vaccinated revelers threw themselves into the crystal-clear water below. I was introduced to Sierra McDaniel, a 20-year veteran member of the Parks Service, who shared her work propagating and repopulating the critically endangered silversword plant. parks, and connecting with the scientists and environmental protection specialists working to preserve the land.ДЇor me, this meant days surveying one of the most geologically and biologically diverse places on Earth, traversing rainforests, volcanoes, fields of steam vents, lava tubes and endless vistas of unbroken Pacific Ocean. My time in HawaiК»i was made possible by the National Parks Arts Foundation, which offers select artists month-long fellowships to follow in the footsteps of Jackson and Moran, exploring the natural wonders within one of several U.S. This little-known detail, that artists played a major role in the formation of the worldвЂ™s first national park, was at the forefront of my mind each day I spent as the artist-in-residence for HawaiК»i Volcanoes National Park this summer. Soon after, JacksonвЂ™s and MoranвЂ™s images became the catalysts for Congress to designate the very first national park at Yellowstone.

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In 1871 photographer William Henry Jackson and painter Thomas Moran joined an expedition to the Yellowstone region of the United States, which they documented in a series of powerful and moving creative works.